The below article is a guest post from photographer John Lund. His photography career has taken him many places and he’s had the ability to photograph many different subjects. However, few prove as humorous as when he photographed Truman the Lion. Here’s his story.

King of Beasts

The animal trainer told me that I would have to get rid of the sandbags from my studio. She was explaining the rules to me for photographing a lion in my studio. She went on to explain that he might think they are rodents and would be possessive. “Well, he can have them if he wants them!” I joked. “No” she said, “You don’t understand. He would have to kill you to keep you from taking them”. OK, lose the sandbags!

Lion Trailer

I had decided that not only would it would be fun to photograph a lion in my studio, but that shooting the big cat for stock would payoff as well. I certainly hoped it would pay off, because the cost to shoot the lion was $5,000. I asked Stephanie, the trainer and owner of Truman, the lion, how long I would get with him for that amount of money. “As long as he wants,” was her wry reply.

Lion in the Studio

Back to the rules. There were five of us. Collette, an art director (I had pre-sold a greeting card idea to a greeting card company), Tiffany, my assistant, two friends and me. There were also three animal trainers each with a can of mace and a pick handle, though if you saw the lion you wouldn’t think any of those weapons would mean much in a pinch. Stephanie told us that none of us should “separate” from the pack. She admonished us that if any pieces of meat from the lion’s “treats” happened to fly in our direction, don’t try and pick them up. Avoid sudden movements, and, oh yes, if there was anything we didn’t want marked we’d better cover them up. It turns out that the lion can “spray” for fifteen feet!

Lion Standing

Truman arrived in a trailer, which had brought into my studio. We made sure that there was no way he could end up on the streets of San Francisco before we let him out. As Truman stepped out of the trailer there was a collective gasp from all of us. His regal bearing and taught muscularity was far more impressive than I had anticipated.

Shooting Lion in Studio

I had once asked an animal trainer who worked with both of Stephanie’s big cats, Truman the Lion and Safari the tiger, which one was more dangerous. She had told me that Safari was more dangerous because people thought of him as a big kitten and tended to let their guard down, but when Truman was around there was a more palpable sense of danger. I now knew what she meant!

Photographing the Lion

The two main images I wanted to create included a lion on a throne as the “King of Beasts”, and a shot of a lion trainer with his head in the lion’s mouth. We needed to have Truman in a standing position, sitting on a pedestal, various shots of his body parts, and a photo of him with his mouth open. To get a shot of Truman in an upright position I improvised super heavy-duty camera stand reinforced with a light stand. I was still nervous, as Truman weighs over four hundred pounds. One of the trainers enticed him to stand up and rest his paws on my makeshift stand by hold chunks of beef heart, on a stick, over his head. We used the same method to get him to stand on the pedestal. For his open mouth I just had to be ready for those lucky moments when he might yawn.

Lion Trainer

Most of the time he spent pacing in circles. After about forty-five minutes his circles started to get larger bringing him within a few feet of me. Stephanie said he was being sneaky about getting closer to me because he was curious. She also said that he was starting to get a little assertive and it was time to end the shoot. My $5,000.00 had bought me forty-five minutes of the lion’s time. It wasn’t long, but it was well worth it. Oh yeah, and before he left he did manage to “mark” the art director’s car.

Lion In Waiting Room

John Lund has been shooting professionally for over thirty years.  He was an early pioneer in the digital world using Photoshop 1.0 in 1990 and digital capture as far back as 1995.  Over the years Lund has taught digital workshops, written numerous articles on digital photography, served as DIGITAL IMAGING’s Digital Photography Editor, been a Photoshop columnist for PICTURE magazine, served on APA”s National Digital Committee, lectured extensively and written a book on Photoshop:  Adobe Master Class Photoshop Compositing with John Lund.  His stock imagery is licensed through Blend Images, Getty, Corbis, SuperStock and Kimball Stock. He currently works out of his studio in Sausalito, California.

More of John’s work can be seen at www.johnlund.com.

Pascal Tremblay is a graphic designer / illustrator from Montreal. He has been working freelance for the past 11 years doing work for a wide variety of clients.

Pascal’s work has always been an introspective and personal way for him to express himself. He describes his work as a way to “define my emotions and thoughts in a way that when I look at it, I will know exactly how I felt at the moment I created it, but without making it definite for others.” In other words, though he has strong emotion connection with his work, it’s up to the person viewing it to decide what it means to her or him.

Different Skies

Where were you born, where do you live now, any other background info?

I was born in Germany but I pretty much consider myself 100% Canadian since I have lived here all my life almost. My dad was in the army so we moved around a lot and Germany was one of those places. I currently live in Montreal with my fiancee, Elaine. We’ve lived together here for 3 yrs and prior to this we lived in Malaysia for 18 months.

Amphitheatre

Arena

Birds

How would you describe your work?

That’s a good question because I never really think about stuff like that. I just like to start creating a piece and see where it leads me. I don’t really have a plan in what I do, I just let my intuition guide me. I think that, as a whole, my work could be described as a series of vague and fleeting expressions of myself. I like to keep the interpretation to the viewer and not pigeon-hole it into what I think it should be saying and, while it’s not a specific goal of mine, I do hope everyone can see a little something different in each piece. Over time I’ve been more and more abstract in what each art piece represents and my use of type has gone in the same direction.. Whereas before I might have put plainly the words I was thinking about, now they’re represented by a specific color or square, or whatever… So in a way I guess my work is a bit like an emotional puzzle to me. I always put a lot of myself into it and if I don’t feel anything intense I really cannot produce the kind of artwork I enjoy the most. That is probably why I can go for months without doing anything, I don’t force it.

Anchor

Focus

Heligoland Poster

What processes and techniques do you use to create your work?

I like to use a technique I coined “create and adjust”. It’s basically a semi-fancy term for “I just do whatever comes to me and then I arrange it all as I go to make it work together”. I really wish I could describe my process better but it’s really just improvisation each time. I don’t have a plan on and the more specific my concept I start with the more difficult it will be for me. If I keep it all flowing and organic it works much better. When it comes to client work I work differently and I can build towards a specific goal with no problems.. however with my personal artwork, it has to come naturally and on the fly.

Traffic

Windowcells

Are you a full time artist?

No, I do design mostly during the day but I also have other interests that are taking more of my time these days. I do feel the need to take a break from design recently. I’ve been doing this for almost 11 yrs and I need a break. I’d say art-making is the least time-consuming part of my work. Art doesn’t pay the bills unfortunately. It doesn’t pay anything actually and it’s not why I do it anyway.

Rainbow

How did you get started?

I started by dropping out of college and not knowing what to do with myself. Then I discovered Flash websites and it just gripped me. I had never had any interest whatsoever in art before this (although as a kid I would spend hours re-creating country flags with coloring pencils). I just stumbled into this dormant need to express myself, it was something completely new for me and I had finally found something I was passionate about. From there I kind of shifted from Flash to artwork and into print and web.

Unknown Sky

A Crowd

Any notable accomplishments?

Being able to make a good living off of freelance for 10 yrs is something I am proud of.. I still haven’t received my medal for it, which is very very disappointing.

Snow

Where can we find more info and keep up with your work?

Makeshift.ca is my personal portfolio, and while I don’t update it weekly or anything be assured there’s always something new in the works. Most of my work I don’t even post because the bill-paying stuff is rarely ever too exciting or mind blowing.

zero

Devils

What artists inspire you?

David Carson is the reason why I am here today doing what I do. Without him I would have never gone the path I chose. I’ve yet to met him. I do have an autographed Raygun magazine which I keep very dearly. It’s pretty much the only design publication I own.

Blur52

With the Imagekind Portfolio Manager it is now easier than ever to edit your images for sale on Imagekind. The Portfolio Manger allows you to batch-edit your images’ titles, tags, descriptions, categorization, default frame and more. Login to your account to start utilizing the Portfolio Manger right away!

Get Recognized!

It is essential to add titles, tags, descriptions and categorization to your images. Adding these will not only allow shoppers to  find your work easier, but Imagekind team members as well. Our internal search engine, as well as big ones like Google, take all of these into account. So, it is imperative that you heed this advice if you are selling your artwork on Imagekind, and want your images to be found!

fragments of me VII by Lisa Scadron

1. Title your Work

Descriptive titles will not only help your buyers connect with a piece, but will help your images come up in searches. If you do not have a title for a piece, putting a descriptive term in the title box is adequate. Having a more personal title than “DSC1937” will let your buyers know that you spent the time to think about and present your work.

2. Write a description

Adding a short description will also help buyers to connect with your pieces. A couple of lines will do. Some artists include a little snippet about how they created the piece, or what inspired it. Others will add a small detail shot of the image. If your description is too long, it will be truncated, but you can view it in its entirety by clicking the “View More” link.

St George Reef Lighthouse 232 by John Foster

3. Tag It!

What are tags?
The Imagekind search engine uses several methods to find your work, one of them being your tags. Tags are descriptive keywords that you assign to your images to identify major elements and details featured in your work.

Be Specific…
Specific, accurate tags are essential. Tag your images with all the specifics of your image. If you have taken photograph of a sunset over the ocean, don’t stop tagging at “photograph” and “sunset.” You might want to include water, pink, sun, ocean, seascape, pacific… Be precise and detailed, and use terms that a customer would search for. If your images convey a certain emotion, such as “Happy” or “peaceful,” feel free to include them, but keep in mind a buyer may not search for terms such as these.

chair_2 by Greg Simanson

Be accurate!
Inaccurate tagging leads to bad search results. If a customer is looking for a sunset, and you have tagged your nature photograph of a tiger with “sunset,” then you will not change the customers mind – in fact, you make your customers frustrated. Inaccurate tags may be removed at the discretion of Imagekind.

Not enough tags? Upgrade your account
Free accounts can tag their images with up to 10 tags. Pro members get 50 tags, and Platinum members can use 100 tags to classify their work. If you need to add more information, consider upgrading your account.

old piano by Gabrielle Ralle

4. Utilize Taxonomy

What is Taxonomy?
“Taxonomy” means the science of classification. Our taxonomy system allows you to group similar images together based on broad categories such as subject, genre, medium. Users can then drill down their search results based on the classifications you have assigned each image. One of the best ways to think about taxonomy is as a categorization method that allows shoppers to easily find particular images, based on their broad preferences.

Subjects, Genres, Mediumsand Decor

Categorizing your images is one of the best ways to be found on Imagekind. Directly after the general search (based on titles and tags), is categorization. Let’s go through some of the options individually.

Subject – Subject is the content found within your image.  Let’s say you have a photograph of cows in a large field, with flowers. You’d want to find subjects that relate to what is actually in the image. If there is not a direct subject available, tags are the next best option.

Genre – Genre is the general style of art that your image might fit into. For example, if your image is more conceptual in nature, you’d want to categorize it in that genre. If you are still stuck on this, here is something that might help. Consider your artwork were going to be hung in a museum, or gallery, or heck, they were selling it at an art supermarket (if such a thing exists). Before you go to drop it off, the owner calls you up and asks what section of the gallery or museum it would fit best. If the supermarket were split into various genres, which isle would your image fit best in?

Medium – Medium is the method you used to create your image.

Decor - Decor is what style of home you think your art would look best in.

Remember, you can feel free to leave any of these blank if you’d like. However, categorizing your images appropriately is one of the best ways to be found on Imagekind.

3-COWS by Brian Simons

Need to classify further? Upgrade your account
Free accounts can add 2 subjects, Pro members can add up to 4, and Platinum accounts are allowed up to 8. If you need to add more information, consider upgrading your account.

Following these tips will ensure that your work gets more recognition when shoppers search for artwork on Imagekind. However, that’s not it. Imagekind team members are always looking for art to showcase as well. We constantly utilize all of these options to find artwork on Imagekind. Whether it’s through tags, titles or taxonomy, make sure to use all of the above options to make sure you get found on Imagekind.

We’ve all come across art that inspires us. Finding it is usually not difficult. However, if you’re an artist, knowing how to emulate similar techniques takes learning, practice and patience. Below, I have compiled some of the top photography and art tutorials online. This list is in no way exhaustive, as I know there are many more out there.

Most of these were shared with me from our member artists via Facebook and Twitter. If you have a favorite online tutorial site not listed, be sure to drop me the URL! You can leave it in the comments, or share it on Facebook or Twitter. I will try and get it added as they come.

Quick note: Though many of the blogs below contain tutorials on several different techniques, I have tried to point directly to a post that corresponds to the particular technique listed.

Photo Manipulation

abduzeedo.com – Manipulation Basics: Illumination and Coloration

psd.tutsplus.com – All about PhotoShop tutorials

HDR Photography

stuckincustoms.com – Imagekind artist Trey Ratcliff, one of the premier HDR photographers, breaks down the technique on his blog

gizmodo.com

hdrcreme.com – The reference website for HDR photos

Macro Photography

On YouTube – Macro Photography Video Tutorial

photo.net – How To: Create Stunningly Realistic High Dynamic Range Photographs

Oil Painting

Hal Groat on YouTube – Imagekind artist shares tips to oil painting on YouTube

Panorama Photography

yanikphotoschool.com – How to Create a Panorama in Photoshop – Video Tutorial

earthseaimagery.wordpress.com – Imagekind artist shares several tips and tutorials on his blog

Illustration

noupe.com – 60+ Vector Illustration Tutorials

smashingmagazine.com – 40+ Cartoon Character Illustration Tutorials

Dennis Mash has been making works of art using non-traditional techniques for decades now. His ideas and techniques have evolved over the years, but he has carved a niche for himself with his gorgeous x-ray images of shells, sea life, and everyday objects. Dennis was kind enough to share his image making methods and his marketing ideas with our blog readers!

The Inside Nature Gallery is a collection of shells and sea life from oceans around the world, all of which have very cool looking internal designs. When friends or clients would see my work, they would come up with other ideas for me to X-Ray. The Inside Design Gallery represents those ideas. I am currently the President of Medical Insights Inc., specializing in consulting, integration and implementation of solutions for the diagnostic imaging market. I continue to work at a local hospital to keep up my diagnostic skills and look for new subjects.

1). How did you start making these types of images?

It’s not like I discovered this technique – other people have done similar things before. When I was in the Navy, my friend Lynn Walsh had the idea. We were both in special procedures – specifically looking at arteries with an x-ray. One day, Lynn said “Hey! Why don’t we x-ray this shell?” We were always looking for new ways to make a little money, and when we saw the images we knew we could sell them matted and framed.

2). What techniques do you use to get your images? How has your technique evolved?

The technique was originally a combination of Radiography and Radiographic film processing. (By the way, a Radiograph and an X-ray are the same thing.) At first, it was trial and error. We were using film, and developing the films in the radiology darkroom to create a negative. We varied the exposure till we got just the right contrast and gray scale to show all the internal dimensions of the shells. The next step would be to go into the darkroom and combine the negative with a piece of subtraction film. Subtraction film gives you a positive image, with a clear background. The original images were the actual films mounted onto a white pebble background, giving it a sense of depth. It looked more like a pen and ink drawing than an x-ray. I taught myself to do matting and framing, and when put all together it looked really neat. This is how I created my prints until 1980.

Chambered Nautilus Perspectives

In 1980, I started working with Andy Reisberg, owner of Photographic Archives in Dallas, Texas. Andy had seen my work and suggested I collaborate with him to take my art in a different direction. He turned my films into gorgeous silver-gelatin prints, sometimes sepia or selenium toning them. We focused on my 13 most popular pieces. Andy and I really collaborated on the process to get the artistic results that I wanted.

Later on, I had my negatives scanned to make giclee prints. I now use different digital techniques to put the images together as collages.

3). What post processing work do you do them?
After scanning, I clean up the backgrounds so they are pure white. If the image is not toned, I will apply a duo-tone filter in Photoshop. It’s a very time intensive process to get it looking just right!

Pacific Crab

4). How do you choose your images? What are you favorite subjects to work with, and why?
When I first starting making these images, I was in San Diego. Everywhere you looked there were shell shops. Shells were easy enough to get my hands on, and they were gorgeous as well.

I’ve x-rayed many other items as well, though, mostly at the suggestion of family and friends. One year, I made an x-tray of penny loafers for a shoe company that presented at the Apparel Mart in Dallas. They put up the images in their showroom. It was a different, fun advertisement for the shoes. The musical instrument images that are in my gallery were borrowed from a band store in Dallas, and I just paid them back in images!

I prefer working with shells though, but maybe I have just been pursuing them longer. I’ll x-ray pretty much anything!

5). What was the catalyst to sell your images as fine art?
As soon as I saw the first image that we made, I knew I could sell it. Once I saw the finished framed and matted product, I knew that others would want to buy it and they did. It was fine art from the beginning. I try to connect my art to every aspect of my life. It has become the thread that connects my artistic side to my professional life.

Shark Jaw Smiling

6). Do you show your work in galleries? Do you participate in shows and competitions?
I am still represented by the Photographic Archives Gallery in Dallas, Texas. I participated in a number of competitions in the early ‘70s, but I hate to say it, I just don’t have time anymore. My main focus is getting my internet presence worked out and developing my online marketing plan. I might participate in more competitions and shows in the future.

7). You send out some interesting material to your buyers and fans. Can you tell us more about it?
I travel a lot, and wanted former clients and potential clients to have a way to easily see my artwork in my Imagekind galleries. So, I created a marketing email that I sent out to my email list that showed examples of my various pieces matted and framed.

I also designed a CD that I would give out at any Radiologic meetings that I would go to, and I think most radiologists would be interested in my work. I designed the CD in PowerPoint, and built a slideshow to showcase my images. I even added a little jazz music that plays in the background. One thing I learned is that a lot of people are not comfortable with just sticking a CD in their computer, and going to find the drive, and then the file to get it to play. I took that advice to heart and bought an auto-play program so that the CD plays automatically as soon as it is put in the disk drive. The CD boots up with a menu of options, including buttons linking to my Medical Insights web site and my Imagekind galleries.

Basket Starfish Sepia

I really like to have options for those that can’t afford to buy a print. My work is really popular as greeting cards. The greeting cards at Imagekind are great quality, and that’s what I use today when giving out samples of my work. I always give a box of greeting cards to the Radiology departments after an installation. I think it’s important to reach out to those that would be interested in your work.

8). How did you decide on Imagekind for printing?
I started using Imagekind after searching for a way to output my digital files. It’s also really convenient to have my images available on the internet without building a big website. I don’t need printing experience or a lot of money to sell excellent quality images – the printing is great! I knew it would be a great way to market my work for the future, and I found it at the right time.

Precious Wentletrap Shell

9). What do you do when you are not making art?
Currently, I am the President of Medical Insights Inc. I still work in the hospital as a Diagnostic Radiologic Technologist part time. I’m married and we have 3 sons. If I’m not traveling for my job I am working on my website and projects.

10). Who is your favorite artist on Imagekind (besides yourself!)
To be honest with you, its hard to answer, because I just haven’t had the time to look at everything! I can’t possibly give you a favorite because I haven’t looked at everything. I do have to say that I look at all the artists who have become my fan, and all of them are extremely talented. I really think there is a ton of great talent on Imagekind, and if my work isn’t quite right for someone, I will always recommend my fellow Imagekind artists.